The work is inherently fractured and dispersed in terms of content and process.
Outputs take the form of painting, drawing, photographic works, installation and film works.
The territory explored involves a form of re-presentation of traces from both personal and public history.
In this context the production of artworks is entropically driven, a form of 'dredging' of the marginal and fragmented.
The constitutive elements of a work form questions and the narrative around this, in an embedded sense, is uncertain.
Recollected object series, a history of destruction - Numbers 1,3,5,6,7,8,9,10,11,15,16,17 of 100