Tim_Pickup – Page 19 – The London Group

James Faure Walker

28th December 2017 Tim_Pickup Current Member

Do I have to explain why I make pictures this way? Does it matter any more that I work both digitally and with real paint?

Eric Fong

28th December 2017 Tim_Pickup Current Member

Eric Fong is a multimedia artist working in film, photography, sculpture and installation. His practice explores issues relating to the body, identity and vulnerability in the context of biomedicine and forensic anthropology, often informed by his past experience as a medical doctor.

Cadi Froehlich

28th December 2017 Tim_Pickup Current Member

My work explores the physicality of exchanges between people, objects and material. In particular I investigate the hidden infrastructure of the interaction between these things.

Marenka Gabeler

28th December 2017 Tim_Pickup Current Member

My work is about my grandmother. She is 90 years old and suffers from Alzheimer’s disease.

Genetic Moo

28th December 2017 Tim_Pickup Current Member

Genetic Moo creates immersive interactive experiences which encourage experimentation and collaborative play. We call our exhibitions Microworld.

Tricia Gillman

28th December 2017 Tim_Pickup Current Member

Emilia González Salgado

12th March 2024 Tim_Pickup Current Member

My work delves into the understanding of identity, as body and place within various dissonant spaces.

Anthony Green RA

28th December 2017 Tim_Pickup Ex-Member

Vaughan Grylls

28th December 2017 Tim_Pickup Current Member

I still use the same approach to my work: I get an idea, think of the title and then make the work. So not much has changed since 1964.

Susan Haire

28th December 2017 Tim_Pickup Current Member

Vanishing Point, a long term work-in-progress, has involved sculpture, installation, photography, video and collaboration with three composers…

Alexandra Harley

11th May 2018 Tim_Pickup Current Member

I use a variety of different materials – mostly wood, but also stone, clay, and paper – to explore the concept of movement and animation in non-kinetic sculpture.

Julie Held

28th December 2017 Tim_Pickup Current Member

I love colour and use it to structure composition. Drawing is as important. My subjects are taken from daily life then mediated in my imagination.

Aude Hérail Jäger

28th December 2017 Tim_Pickup Current Member

On and off human beings become aware of a constant juggling of mysterious inner forces, some palpable and loud, others hidden, yet all potent and powerful. I am drawn to investigate what is not there in full view.

Bill Henderson

28th December 2017 Tim_Pickup Ex-Member

Concerning: ‘Music for the Storyteller’. 1999 to present.

Martin Heron

29th December 2017 Tim_Pickup Current Member

I make two and three dimensional drawings and paintings exploring spontaneous mark making, experimental use of prefabricated materials and ready-made forms.

Alexander Hinks

23rd March 2019 Tim_Pickup Current Member

My practice represents the relationship between nature, technology and even the sublime – as upon peering into another world with bold straight line structures which contrast curves and fluidity, the voids and chasms of space alluding to universes.

John Holden

29th December 2017 Tim_Pickup Ex-Member

The making of drawings, painted images, is an inherent aspect of my experience of living and has been since childhood; not to make visual images of some sort would be an act of denial of an essential need.

Chris Horner

19th February 2020 Tim_Pickup Current Member

As an artist, my main concern is challenging people to see the possibilities in beauty through pre-used building materials where others see functionality.

Jane Humphrey

29th December 2017 Tim_Pickup Current Member

The landscape contains many hidden ‘secrets’ ; ancient field systems identified through aerial photography, droves and tracks reinforced through thousands of years of constant use, or the more transient ‘memories’ of successive lines of a ploughed field.

Gill Ingham

29th December 2017 Tim_Pickup Current Member

Gillian Ingham was educated at Ravensbourne College of Art (BA) and Chelsea School of Art (MA). She was elected to the London Group in 1981 and is currently Vice President. From 1990-2012 she was Head of Art at Kensington and Chelsea College.