Graham Mileson
In 1991 at the Triangle International Artists Workshop in New York State I had the opportunity to use Interference Colour, this was when, this new artists medium was not available in the UK.
Read moreIn 1991 at the Triangle International Artists Workshop in New York State I had the opportunity to use Interference Colour, this was when, this new artists medium was not available in the UK.
Read moreWords add little to paintings. They should present their own case.
Read moreI work with photography, video and painting.
Read moreSince 1994 I have been exploring a series of inter-related issues, which takes as a fundamental question: how can painting embrace decoration to disclose a narrative of loss and dislocation?
Read moreMy images begin in the dark and empty corners of abandoned places. Travel has become a big part of my imagery and I’ve seen a lot more of the world since taking photography.
Read more‘Systems Interference’ artist. Appropriation and attempting to unearth the poetic in everyday, often dysfunctional, technologies, systems and bureaucracies. Strategies include misuse, misunderstanding, lampooning and tinkering.
Read moreIn recent years my practice has involved me in a continuous examination of modes of representation related to cultural history and cultural identity.
Read moreIan Parker was born in Wolverhampton and lived in England, Guyana and Nigeria as a child.
Read moreA strong reoccurring emotion is my starting point for collecting thousands of internet images.
Read moreMy painting is semi abstract colourfield work and I draw my inspiration from the environment; I am influenced in particular by the minutiae of my surroundings.
Read moreSumi Perera is an interdisciplinary artist, academic & curator who draws upon her background as a doctor, scientist & artist (MA Camberwell College, University of Arts London 2004) working in the east (born in Sri Lanka) & west (lives in the UK).
Read moreWe don’t often get to see the subtle politics at play behind closed doors, but such domestic politics have arguably the most profound impact upon us all.
Read moreI take the challenge to the contemporary visual arts (and music…) to lie in the void where language staggers to a halt and disintegrates.
Read moreMy work is concerned primarily with the appearance of memories and the objects associated with them.
Read moreMy recent paintings use the city as a starting point to explore formal issues of geometry and colour and to express the excitement and dynamism of the city.
Read more‘Edge of Town 2’ is from an ongoing series of paintings that are concerned with urban landscape and notions of travel.
Read moreMy work is concerned with creating spaces for people to inhabit, either actually or in the imagination.
Read moreI have always regarded drawing as my way of coming to grips with an idea on the assumption that if I can generate a satisfactory graphic solution, I shall have reached a more complete understanding of its subject.
Read moreHistorically there has always been conflict between belief and rational thought, focused on the classifications of religion and science.
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