Tommy Seaward
There are several constants to Tommy Seaward’s process: his work is three-dimensional, always wall mounted and each piece is divided into three precisely spaced, vertically aligned segments.
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Category: Current Member
Sayako Sugawara
In my practice I use the cognitive associations that occur in the materiality of photographic processes, moving image and installation to explore notions of memory, imagination, analysis, poetics, stillness and movement.
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Suzan Swale
Painting is the backbone of my work. I have made installations, used video, was part of a performance group for eight years and produce photo-media works, but these in a sense refer back to and coincide with what is going on in my painting.
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Almuth Tebbenhoff
I split my working time between steel and marble.
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David Tebbs
My recent paintings refer to the experience of traveling through urban spaces, particularly subways, staircases & escalators & the way commuters movement & interaction is defined within them.
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Paul Tecklenberg
Much of my practice is about perception and revealing what is usually hidden.
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David Theobald
David Theobald is a video artist born in Worthing in 1965. Although originally trained as a chemical engineer, he pursued a career in finance for fifteen years, living both in New York and London.
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Michael Thorpe
I am interested in the interplay between the ‘field’ and its ‘parts’, between moment and continuity and the observer’s role in the flux of ideas, phenomena and perception.
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Lisa Traxler
“Lisa Traxler’s artworks bring physical existence back into the room. Her work gives us an opportunity to regain trust in the complexity of human experience and the knowledge that, while it may be difficult to fully recognise the entirety of what we see, within each part of the puzzle our own…
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Philippa Tunstill
My paintings are a continuous exploration of spatial ideas through colour, surface and texture which are applied and manipulated to produce an intense interactive little drama emerging out of a field of flat colour.
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Joshua Uvieghara
A question concerning reconciliation; between the ineffable and how it can be located in a visual materiality, is one I find best satisfied through painting. Sources can range from: an overheard conversation in another room, to an encounter of nocturnal phenomena in urban or rural landscape.
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Bill Watson
In my sculptures there are three main themes.
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Neil Weerdmeester
Beauty in the age of digital manipulation, stills in a mediated world that conjure up a hidden narrative beyond the surface of the work. Caught between the mediums where fact mixes with fiction my work seeks to open up interpretation and questions our need for answers.
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Tisna Westerhof
While my practice is grounded in printmaking, I revel in breaking down the limitations of materials and reinventing traditional handicrafts. My highly tactile works capture a child like sense of delight with a combination of humour and melancholy.
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Anthony Whishaw RA
My early work, 1950s/60s, grew out of great admiration for C. Permeke, Picasso, Cubists and especially Goya’s Black paintings whose horizontal format continues to intrigue and challenge me.
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Susan Wilson
“I now thought of myself as living the life of a writer. . . ”
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Erika Winstone
My work is the result of an ongoing dialogue between video and painting; I work with time, change and a shifting sense of presence or absence. I particularly focus on relationships between people captured on film through sound, rhythms, words and movement.
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David Wiseman
I make acrylic paintings in the studio in addition to various mixed media works made outside direct from the landscape.
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Gary Wragg
For me, painting celebrates the moment. It is a primal discovery of normality and impossibility cultivating everyday sensations that can be seen or felt.
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Carol Wyss
Pattern recognition is crucial to humans, it helps us understand and predict what is coming.
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