Stephen Carley
I’m an artist/ teacher. My work is completely concerned with context, process and materials.
Read moreI’m an artist/ teacher. My work is completely concerned with context, process and materials.
Read morePrintmaking is a method of visual inquiry like no other.
Read moreMy work is broad in scope – painting, sculpture and etching – and I use a wide range of media, including oil and acrylic, bitumen and shellac in my paintings.
Read moreBorn in London in 1947, Robert Clarke trained at Ravensbourne College of Art and Design, B A and Post Graduate Painting , Chelsea school of Art MA.
Read more“Peter Clossick focuses on faces, the single figure, men and women, the nature of physical sensuousness itself…”
Read moreI am practising artist and academic researcher; my work is situated in and engages with drawing as a methodology to explore and challenge sculpture and installation as speculation and artefact.
Read moreMy work explores the dichotomy and relationship between painting and photography. I contrast a deadpan, Photorealist style with English romantic subjects such as trees.
Read moreI use borrowed visuals downloaded from the Net which are reworked over time – Using a process of sampling/recycling/drawing and layering the diverse elements of media images, text/graphics, video screen-casts, and camera-phone photos etc.
Read moreJohn Crossley lives and works in London, he has exhibited widely across the U.K and Internationally. He has works both in Public and Private collections around the world.
Read morePeople mostly become artists because their most profound aesthetic sensations have come from art works and they want to participate in the dialogue.
Read moreGus Cummins approach towards his work is constantly evolving, “I am constantly trying to ‘shift my ground’, alarming myself by stepping off safe and familiar territory”.
Read moreMy practice uses sculpture as a conduit to respond to our everyday experience.
Read moreI work with open-ended constructive ideas of composition, overlapping particular schemes of organization, from one work to the next.
Read moreMark Dickens has been commissioned by Bernie Ecclestone to create 20 paintings, one for each Grand Prix.
Read moreMy making resides at the convergence of conceptual art, craft, and poetry. My interest derives from how the material qualities of a thing influence our understanding of its function.
Read moreMy practice explores boundaries and disconnections through time.
Read moreMaking a statement about painting is always very dangerous. There are always more questions than satisfactory answers. Everything is in a state of flux and continuously changing.
Read moreAngela Eames is a drawer whose practice has continuously involved the exploration of drawing in relation to technology.
Read moreI like having a problem to solve, pitting my wits against the evidence of the senses. I want to be accurate in resolving the problem, to meet the challenge of light and colour and sense of place.
Read moreDo I have to explain why I make pictures this way? Does it matter any more that I work both digitally and with real paint?
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