Ece Clarke
My work is broad in scope – painting, sculpture and etching – and I use a wide range of media, including oil and acrylic, bitumen and shellac in my paintings.
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Robert Clarke
Born in London in 1947, Robert Clarke trained at Ravensbourne College of Art and Design, B A and Post Graduate Painting , Chelsea school of Art MA.
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Peter Clossick
“Peter Clossick focuses on faces, the single figure, men and women, the nature of physical sensuousness itself…”
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Gary Clough
I am practising artist and academic researcher; my work is situated in and engages with drawing as a methodology to explore and challenge sculpture and installation as speculation and artefact.
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Tim Craven
My work explores the dichotomy and relationship between painting and photography. I contrast a deadpan, Photorealist style with English romantic subjects such as trees.
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Sandra Crisp
I use borrowed visuals downloaded from the Net which are reworked over time – Using a process of sampling/recycling/drawing and layering the diverse elements of media images, text/graphics, video screen-casts, and camera-phone photos etc.
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John Crossley
John Crossley lives and works in London, he has exhibited widely across the U.K and Internationally. He has works both in Public and Private collections around the world.
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Philip Crozier
People mostly become artists because their most profound aesthetic sensations have come from art works and they want to participate in the dialogue.
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Gus Cummins RA
Gus Cummins approach towards his work is constantly evolving, “I am constantly trying to ‘shift my ground’, alarming myself by stepping off safe and familiar territory”.
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Martin Darbyshire
My practice uses sculpture as a conduit to respond to our everyday experience.
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Jeff Dellow
I work with open-ended constructive ideas of composition, overlapping particular schemes of organization, from one work to the next.
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Mark Dickens
Mark Dickens has been commissioned by Bernie Ecclestone to create 20 paintings, one for each Grand Prix.
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Stathis Dimitriadis
My making resides at the convergence of conceptual art, craft, and poetry. My interest derives from how the material qualities of a thing influence our understanding of its function.
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Beverley Duckworth
My practice explores boundaries and disconnections through time.
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Mark Dunford
Making a statement about painting is always very dangerous. There are always more questions than satisfactory answers. Everything is in a state of flux and continuously changing.
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Angela Eames
Angela Eames is a drawer whose practice has continuously involved the exploration of drawing in relation to technology.
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Anthony Eyton OBE RA
I like having a problem to solve, pitting my wits against the evidence of the senses. I want to be accurate in resolving the problem, to meet the challenge of light and colour and sense of place.
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James Faure Walker
Do I have to explain why I make pictures this way? Does it matter any more that I work both digitally and with real paint?
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Eric Fong
Eric Fong is a multimedia artist working in film, photography, sculpture and installation. His practice explores issues relating to the body, identity and vulnerability in the context of biomedicine and forensic anthropology, often informed by his past experience as a medical doctor.
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Cadi Froehlich
My work explores the physicality of exchanges between people, objects and material. In particular I investigate the hidden infrastructure of the interaction between these things.
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