Ian Parker
Ian Parker was born in Wolverhampton and lived in England, Guyana and Nigeria as a child.
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Claire Parrish
A strong reoccurring emotion is my starting point for collecting thousands of internet images.
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Janet Patterson
My painting is semi abstract colourfield work and I draw my inspiration from the environment; I am influenced in particular by the minutiae of my surroundings.
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Sumi Perera
Sumi Perera is an interdisciplinary artist, academic & curator who draws upon her background as a doctor, scientist & artist (MA Camberwell College, University of Arts London 2004) working in the east (born in Sri Lanka) & west (lives in the UK).
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Steve Pettengell
We don’t often get to see the subtle politics at play behind closed doors, but such domestic politics have arguably the most profound impact upon us all.
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Michael Phillipson
I take the challenge to the contemporary visual arts (and music…) to lie in the void where language staggers to a halt and disintegrates.
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Chris Poulton
My work is concerned primarily with the appearance of memories and the objects associated with them.
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Daniel Preece
My recent paintings use the city as a starting point to explore formal issues of geometry and colour and to express the excitement and dynamism of the city.
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Alex Ramsay
‘Edge of Town 2’ is from an ongoing series of paintings that are concerned with urban landscape and notions of travel.
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Maya Ramsay
Maya Ramsay works with historically and politically important sites, employing a variety of processes to capture visual histories that would otherwise be lost or unseen.
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Victoria Rance
My work is concerned with creating spaces for people to inhabit, either actually or in the imagination.
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Simon Read
I have always regarded drawing as my way of coming to grips with an idea on the assumption that if I can generate a satisfactory graphic solution, I shall have reached a more complete understanding of its subject.
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David Redfern
Historically there has always been conflict between belief and rational thought, focused on the classifications of religion and science.
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Dame Paula Rego DBE
“It was an exhibition at the beginning of the Eighties that made her conspicuous. It was comic and disturbing; a frightening sequence of paintings of delinquent monkeys, horribly human in its implications.”
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Tommy Seaward
There are several constants to Tommy Seaward’s process: his work is three-dimensional, always wall mounted and each piece is divided into three precisely spaced, vertically aligned segments.
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Susan Skingle
In everyday language, the weather, stars and planets appear in pictorially vivid idioms, often charged with fatalistic humour. This correlation between individual lives and natural forces is the focus of my constructions and drawings.
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David Shutt
“David Shutt is an artist of passionate integrity who revels in the beauty of appearances. He sees painting as a process of identification and revelation rather than dry classification; and as a way of apprehending the world.”
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Sayako Sugawara
In my practice I use the cognitive associations that occur in the materiality of photographic processes, moving image and installation to explore notions of memory, imagination, analysis, poetics, stillness and movement.
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