Jan Frith
Jan Frith works across time-based media and sculptural objects using technology, exploring analogue and digital systems, machines, and the interplay between chance and control.
Cadi Froehlich
My work explores the physicality of exchanges between people, objects and material. In particular I investigate the hidden infrastructure of the interaction between these things.
Marenka Gabeler
My work is about my grandmother. She is 90 years old and suffers from Alzheimer’s disease.
Vaughan Grylls
I still use the same approach to my work: I get an idea, think of the title and then make the work. So not much has changed since 1964.
Susan Haire
Vanishing Point, a long term work-in-progress, has involved sculpture, installation, photography, video and collaboration with three composers…
Alexandra Harley
I use a variety of different materials – mostly wood, but also stone, clay, and paper – to explore the concept of movement and animation in non-kinetic sculpture.
Simon Head
Simon Head walks a line between language, philosophy, and materiality, occupying territories of translation and reinvention; his concepts are triggered by personal reflexive memory, but the outcome is seldom about himself; for him the visual memoir helps explain things that would otherwise remain a mystery.
R James Healy
My practice explores perception. I’m interested in how we see, interpret, and assign meaning to the world around us.
Julie Held
I love colour and use it to structure composition. Drawing is as important. My subjects are taken from daily life then mediated in my imagination.
Martin Heron
I make two and three dimensional drawings and paintings exploring spontaneous mark making, experimental use of prefabricated materials and ready-made forms.
Alexander Hinks
My practice represents the relationship between nature, technology and even the sublime – as upon peering into another world with bold straight line structures which contrast curves and fluidity, the voids and chasms of space alluding to universes.