Research article by Simon Read LG
Here we introduce a research article written by London Group member Simon Read.
To read Simon’s article, please click the link at the bottom.
Introduction
In an era marked by unprecedented environmental challenges, the intersection of art, science, and policy has become increasingly vital. The article by Simon Read LG (linked below) explores the role of art in shaping our understanding of landscapes and in influencing environmental policy. From historical initiatives like the ‘Recording Britain’ project during World War II to contemporary endeavours such as Cape Farewell and the visionary works of the Harrison Studio, the author traces the evolution of artistic engagement with pressing environmental issues.
Art possesses a unique power to raise awareness and communicate complex concepts that often elude traditional scientific discourse. This essay delves into the tension between artistic freedom and policy-driven agendas, highlighting how artists can navigate these challenges to become active participants in landscape decision-making processes. The essay reveals how artists have moved beyond conventional roles to engage communities and foster deeper connections with their environments.
The author’s personal experiences in estuary conservation along the East Suffolk coast illustrate how artistic practice can integrate with scientific research and community interests, creating a holistic approach to environmental stewardship.
The article questions the nature of ‘beauty’ in landscapes and the role of aesthetics in conservation efforts. How can artistic perspectives enrich our understanding of landscapes and contribute to innovative solutions for environmental challenges? The essay invites readers to envision a future where the boundaries between disciplines blur, allowing creative visionaries to play a central role in shaping environmental policy and practice.
Access the article as a PDF file or at Taylor & Francis online
Simon Read is Associate Professor of Fine Art at Middlesex University (emeritus). He holds a BA honours degree in Fine Art from the University of Leeds and an MA in Fine Art from Chelsea School of Art, University of the Arts London. His recent practice has concentrated upon an exploration of how the arts may contribute to a societal understanding of the cultural implications of environmental change, through the fields of multi-disciplinary academic research, community engagement and fine art practice. He is a trustee director of the Deben Estuary Partnership with responsibility for developing an estuary management plan in collaboration with Environment Agency, Local Government and the stakeholder community.