Michael Phillipson

I take the challenge to the contemporary visual arts (and music…) to lie in the void where language staggers to a halt and disintegrates.

Chris Poulton

My work is concerned primarily with the appearance of memories and the objects associated with them.

Daniel Preece

My recent paintings use the city as a starting point to explore formal issues of geometry and colour and to express the excitement and dynamism of the city.

Alex Ramsay

‘Edge of Town 2’ is from an ongoing series of paintings that are concerned with urban landscape and notions of travel.

Victoria Rance

My work is concerned with creating spaces for people to inhabit, either actually or in the imagination.

Simon Read

I have always regarded drawing as my way of coming to grips with an idea on the assumption that if I can generate a satisfactory graphic solution, I shall have reached a more complete understanding of its subject.

David Redfern

Historically there has always been conflict between belief and rational thought, focused on the classifications of religion and science.

Tom Scase

“E.M. Forster’s dictum to “only connect” could be the guiding principal for Tom Scase.”

Tommy Seaward

There are several constants to Tommy Seaward’s process: his work is three-dimensional, always wall mounted and each piece is divided into three precisely spaced, vertically aligned segments.

Sayako Sugawara

In my practice I use the cognitive associations that occur in the materiality of photographic processes, moving image and installation to explore notions of memory, imagination, analysis, poetics, stillness and movement.

Suzan Swale

“The idea or source materials for my work is often an image from the media, a photo I have taken, a sentence someone said, a line from a book or a song, a photo or headline from a newspaper, a scene from a film, that triggers inspiration.